music list

2012

April

Ala, Amoi ala

Alone, once alone

وحيده, مره وحيده

Video

Ensemble

Monodrama for soprano and ensemble

2 versions

· Ensemble version

Flute, 3 clarinets in B, Bass Clarinet in B, 3 Trumpets in B, Bass Tuba, four hands Piano, 2 Violins and Soprano

·      Duet Version:

Soprano and Piano

Text: Eva Maria Bannert Vienna 1978

2012

Ultras

المشاغبون

Video

Electronics

For E-Cello and live electronics.

Program notes:

The work starts with Bassem Youssef’s voice, an Egyptian surgeon and broadcaster, saying

“Those dead young men were not just football fans; they were standing as men in the field and out of it. Their guilt was saying the word of truth, whilst many others surrendered early. Righteous men who kept their word until their death”. Following it, an original cheering sound from a previous football match which says:

“When I stop cheering, I would definitely be dead”.

In the back ground, there is a recording of part of the piece “Ultras” as a playback with a deformation “alienation ” technique accompanied with Ostinato sound from the cello playing the same rhythm of the previously heard cheering.

The main themes of ULTRAS depend on four figures:

1. Figure: Rhythmic figure of the Ultras cheering accompanied.

2. Figure: MICRO-CLUSTER TONES coming from long tones produced from the cello in a range of quarter tones “up-down” with computing development for this creation.

3. Figure: Arabic themes; based on an Arabic Maqam, which is called SABA.

4. Figure: Catastrophic sound creations.

This piece reflects the panic, fear, escape, chaos and agony which happened when hundreds of thugs brutally attacked peaceful football fans killing 74 of them and injuring hundreds with no ambulance vehicles near by to give any help, even the closer ones ran away from the area leaving the young men alone to face death and bleed to death.

2012

Lisztomania

مجنون ليست

Orchestral

ist ein symphonisches Gedicht, komponiert für 40.Jahr Feier des "Josef Haydn Konservatorium in Burgenland" sowie zum 200. Geburtstag von "Franz Liszt"

Programm Noten:

Franz Liszt ist ein burgenländischer Komponist, der sehr weit gereist ist.

Ich auch!

Doch er war nie in Ägypten!

Lisztomania ist "begeistert von Liszt", dass in meine Sprache bedeutet "verrückt Liszt".

Ich habe mir gedacht, dass ich etwas verrücktes machen muss:

Was ist wenn er "Franz Liszt" neben der Pyramiden lebt?

Sich mit einer Mumie zum Tee trifft und eine Reise mit dem Kamel durch die Sahara macht?

2011

November

Friendly fire

نيران صديقه

Ensemble

For 2 records, Piano and live electronics

The winner work of Prima la musica competition 2011

2011

El-Tahrier Platz

EL-Tahrir Square

ميدان التحرير

Orchestral / Ensemble

For 16 instruments and A440 Hz oscillator

Die ägyptische Revolution wurde durch elektronische Medien sowie Facebook, Blogger, Twitter usw.... gestartet. Die dabei entstandene Dynamik war einfach unglaublich.

Mit dem „sine wave „wird der elektronische Abruf produziert und gibt den „ Ton A = 440Hz“ wie in jedem Orchester, Die Stimme gibt die Stimmung im Orchester an auch so wie die Demonstranten dem Aufruft am El-Tahreer Platz folgten.

Nach dem sich die Demonstranten am El-Tahreer Platz gesammelt haben, versuchte jeder seine eignen Wünsche mit seiner Stimme der Öffentlichkeit mitzuteilen „aber nicht für das Land-Ägypten“ , wie das einzeln einspielen im Orchester.

Als Mubarak versuchte mit Gewalt gegen die Demonestraten vor zu gehen, begann das Volk mit dem gemeinsamen Ziel für das Land Ägypten zu demonstrieren, danach hört man die verschiedenen Themen der Aufrufe von El-Tahreer Platz, dadurch entsteht eine Einheit „ Wieder A= 440Hz. UNISON“, Das Volk verlangt das MUBARAK geht aber er sagtet: „ Ich habe Demokratie betrieben, ich mache weiter damit“.

Das Volk ist mit diesen Worten nicht einverstanden, sie wollen MUBARAK nicht mehr sehen denn 30 Jahre Unterdrückung und Korruption ist genug, das Volk hat nicht aufgegeben und MUBARAK „geht“ endlich.

Diese besondere Demonstration veranlasste, nach der erfüllten Forderung, das Volk den El-Tahreer Platz zu reinigen und zu putzen das in der ganzen Welt große Bewunderung brachte, durch diese friedliche Demonstration konnten 30 Jahre Unterdrückung eines Volks beendet werden.

Zum Schluss bleibt nur der elektronische Klang als Albtraum für die weitre Regierung. Er erinnert immer daran welche Kraft die elektronischen Medien entwickeln können.

Nur ein elektronischer Klang kann eine besondere Demonstration auslösen wie am El-Tahreer Platz.

2010

December

Let us play

هيا نلعب

Piano

For young pianists between 6:12 four hands piano (educational piece).

2010

August

Emergency’s

طوارئ

Piano

for solo Piano with 4 microphones

2010

May

Mundartliches Beatboxen

Choir

Für 12 Mediatoren acapella Chor

Text: Michael Hess

2010

April

Sorrows II

Ensemble

3 Miniatures for big ensemble and a female voice

(Flute, 4 Clarinet in B, 4 F. Horns in F, 4 Violins and Female voice)

·      Sorrows

·      Zu dicht 2010 Text: Michael Hess

·      Mau’ual

2010

Above the frozen lake, there were a……! (Misty)

Violin

for solo Violin

2009

May

Malaguena

Ensemble

For contrabass quartet

Arrangement

2009

December

Devotion

Instrument + Piano

For Arabic Oud and piano

2009

Lunga Farah Faza

Orchestral

for Oud and Strings orchestra

(Original composer: Reyad El-Sonbaty)

Arrangement

2009

For Haydn

Piano Trio

Piano Trio (Violin, Cello and Piano)

2008

June

Asphalt’s womb

Ensemble

Octet for Clarinet in B, Bassoon, F. Horn in F, Piano + E-piano ‘one player’, Violin, viola, cello and Contrabass.

Program notes:

The story behind three street’s old childs

·      Alone

·      Street’s conflict

·      My son Just died

Pencil paintings and stories from: Amru Salahuddien and his exhibition witch title ‘ In the womb of Asphalt’ 2008.

World premiere 29.08.2008 Austria

Eu-Art-Network

2008

February

Rumba de Concert

Orchestral

for the Egyptian Philharmonic Chamber orchestra, conducted by: Ahmed El Saedi

(Gamal Abdel-Rahim)

Arrangement

2008

July

Sour Angelica

Orchestral

(Giacomo Puccini)

Commissioned arrangement for the Bibliotheca Alexandrina chamber orchestra

Arrangement

2008

The Phoenix and the turtle

Emsemble

Quartet for Clarinet B, Soprano, Violin and contrabass

Text: William Shakespeare

2008

April

Abo Ali

Orchestral

New arrangement of Amr Ismael’s Film sound track ‘Abo Ali’ for Harp, Nay, Accordion, Percussion and strings Quintet

Arrangement

2008

Venetianisches Gondellein

Instrument + Piano

F. Brathildy Mendelsohn

Reduction for Contrabass and Piano

Arrangement

2008

Karnak sound and light Scoring

Orchestral

Scoring the whole Partiture from audio cassette

2007

Le Grand Tango (Astor Piazzolla)

Orchestral

For Cello and Chamber orchestra

(Flute, Clarinet in B, Clarinet in A, Bassoon, Percussion 3 players, Piano, Strings orchestra 4:4:3:2:1 and Solo Cello)

Written for the Egyptian philharmonic chamber orchestra and conducted by: Ahmed El Saedi

Solo Cello: Victoria Kabralova

Arrangement

2007

April

Mummy’s Purity

Orchestral

‘Sopra’ Symphonic Opera for mid-high voice and symphonic orchestra.

Text: adapted version from the Anni Papyrus and the Book of the death

2007

El- Haramlek Clips

String Quartet ensemble

String Quartet and teller

Program notes:

·      Clip 1: Behind Haramlek walls.. Women have no choice but to blind obedience.

·      Clip 2: Belly dancers and the wrestling temptation ... Who will win?

·      Clip 3: I thought his kiss is the meaning of life itself ... but the damn was like swallowing toxins from his lips. the lucky women outside this dirty grave, are hating me, They believe, that I had stolen their honor to be here.

·      Clip 4: I handed him me as a depositary lamb, to be able to slay me as he likes, but I discovered later, that I was extremely stupid, he returned to the original controlling nature and avoided what I felt, he acquired the rights of surrender myself to him, he has ignored me again and brought me to be under his darkness controlling, just to take what he wants, without giving me what I want.

The Winner work of the Egyptian supreme council of culture composition competition 2007 (first Prize).

2007

January

Tone Color

Electronics

For Oboe and live electronics

2006

September

Ständchen (Franz Schubert)

Orchestral

For Oud, Piano and strings orchestra

Arrangement

2006

The lonely one on the other side of story

Orchestral

For strings orchestra 4:4:3:2:1

Commissioned work for the project of the Bibliotheca Alexandrina chamber orchestra CD ‘ Egyptian works for string orchestra’ 2006 and conducted by: Sherif Mohie El-Din

2006

May

White

Ensemble

For ensemble and tape 7 min.

·      Childbirth

·      The seventh Day

Flute, Clarinet in B/Es ‘one player’, Bass-Clarinet in B, Timpani, Bass Drum, Triangle, Mortar, celesta, piano, string quartet and tape.

Program notes:

What is the whitest thing in the world?

The brain of a baby of course.

The Seventh Day:

In the tradition of the Egyptian people, there is a very important celebration: the Seventh Day or Al-Sepouo. It is believed that it is the best day to know that a newborn baby is now in our world, which is celebrated by beating on mortar and laying it in an activated sieve. Normally, this celebration takes place between the afternoon and sunset. Seven types of crops are used (maize, rice, wheat, kidney bean, fenugreek, lentils and beans) as a bed for the baby. Then they are scattered over the heads of the guests. The celebration begins by the mother bringing the baby and circular dances with song.

World premiere: Stuttgart 23. 07. 2006

2006

Hungarian dance Nº. 5, J. Brahms

Ensemble

Woodwinds trio reduction for Flute, Oboe and Bassoon

Arrangement

2006

My Romance

Instrument + Piano

for solo instrument (Violin or Flute or Contrabass) and piano

2006

Osteggiare Trompa

Instrument + Piano

For trumpet and piano

2006

The storm

Piano

For piano solo

2005

Badr

Orchestral

Symphonic poem about Battle of Badr (13 March 624 AC).

Written for Cairo Symphonic orchestra and Arab perspectives festival 2007.

Conducted by: Hassan Sharara

2005

Destiny

Orchestral + Piano version

Bassoon Concerto for Bassoon and Strings Orchestra with 10 Percussion Players.

Written for the Bassoon Player Tamer Fahmi.

The performance was in Cairo opera house, main hall, Cairo Symphonic orchestra and conducted by: Hisham Gabr in Arab perspectives festival 2006

The winner work of the Egyptian supreme council of culture composition competition 2005 (Jury Prize).

2005

Dancing on dead bodies

Piano Trio

Piano Trio

Program Notes

·      1st. Movement

Adagio

Current Events

Slow scene, usually repeated at every moment and connected with any kind of a massacre in the Middle East or anywhere in the world.

Always we see the same scene of ambulances collects scattered Corpses in various parts. this scene always telling us about a tragedy, telling us about the strength of the human suffering from the war scourge, it always reaffirms and confirm that the war mean's nothing but the life itself.

·      2nd. Movement

Allegro Agitato

Flash Back

As events rapidly with the disasters, second movement tells us the story of the strong warrior, the person who always gives the order, to let the war starts, although it was always a tongue's dance, but it's always like an ugly dance, the dance, which kills a thousand of innocents.

The dance transited from tongue's movement, to be the dance of the death, which has effected to escape the soul from the live human ground objects

2005

Sorrow I

Solo Instrument

For Oboe Solo

2005

Farewell Friend

Piano

For Piano: Prelude and Piece

2004

Wheat Tonight

Orchestral

New musical vision of the Folksong from Mohamed Abdel-Wahab ‘El-Qamh Ellilah’ for Harp, Nay (Egypian Bamboo Flute), Percussion and String Quintet

2004

3 songs for Children Choir

Choir

For mixed Choir and piano

·      The small bird ‘Al-taero al-Saghyro’

·      Would you know ‘Hal ta’lamoun’

·      My mother ‘Ummi’

The Winner work of the Egyptian Youth Musicians Association, Gamal Abdel-Rahim composition competition for Choir 2004

2004

October

The Mummy

Orchestral

Woodwinds Quintet for Flute, Oboe, Clarinet in B, F. Horn in F and Bassoon

2004

Brainstorming

Instrument + Piano

Flute and Piano

2004

Nightmare

String quartet ensemble

String quartet no. 1

2004

The Drunk One

Solo instrument

Mime ad libitum and flute

2004

Zoroni

(Visit me)

·      Choir + Piano

·      piano solo

For mixed choir SATBB

·      Text and melody: Sayed Darwish

For Piano solo

·      Melody: Sayed Darwish

re-composition

2004

Elegy

Piano Trio

Piano trio for Clarinet in B, Bassoon and piano or Violin, Cello and Piano (2 versions).

In the memory of the Egyptian composition Pioneer and the founder of the composition department in Cairo conservatoire ‘ Gamal Abdel-Rahim’

2003

Birth Certificate

Singers ensemble + Piano

Quartet for soprano, alto and bass

Text: Mukhtar Abu Ghali

2003

The Bedouin and the Fortuneteller

Piano

For Piano

2002

Egyptian Suite

Instrument + Piano

For Cello and Piano on 5 Egyptian folk themes

·      Salma Ya Salama

·      Ya NAkhlitin fil Alaly

·      Atshan Ya Sabaya

·      Ayyob

·      Kont fen ya Alli

The Winner work of the Egyptian supreme council of culture composition competition 2003 (first Prize between 3 candidates)

2012	April	Ala, Amoi ala Alone, once alone وحيده, مره وحيده Video	Ensemble	Monodrama for soprano and ensemble 2 versions · Ensemble version Flute, 3 clarinets in B, Bass Clarinet in B, 3 Trumpets in B, Bass Tuba, four hands Piano, 2 Violins and Soprano · Duet Version: Soprano and Piano Text: Eva Maria Bannert Vienna 1978
2012		Ultras المشاغبون Video	Electronics	For E-Cello and live electronics. Program notes: The work starts with Bassem Youssef’s voice, an Egyptian surgeon and broadcaster, saying “Those dead young men were not just football fans; they were standing as men in the field and out of it. Their guilt was saying the word of truth, whilst many others surrendered early. Righteous men who kept their word until their death”. Following it, an original cheering sound from a previous football match which says: “When I stop cheering, I would definitely be dead”. In the back ground, there is a recording of part of the piece “Ultras” as a playback with a deformation “alienation ” technique accompanied with Ostinato sound from the cello playing the same rhythm of the previously heard cheering. The main themes of ULTRAS depend on four figures: 1. Figure: Rhythmic figure of the Ultras cheering accompanied. 2. Figure: MICRO-CLUSTER TONES coming from long tones produced from the cello in a range of quarter tones “up-down” with computing development for this creation. 3. Figure: Arabic themes; based on an Arabic Maqam, which is called SABA. 4. Figure: Catastrophic sound creations. This piece reflects the panic, fear, escape, chaos and agony which happened when hundreds of thugs brutally attacked peaceful football fans killing 74 of them and injuring hundreds with no ambulance vehicles near by to give any help, even the closer ones ran away from the area leaving the young men alone to face death and bleed to death.
2012		Lisztomania مجنون ليست	Orchestral	ist ein symphonisches Gedicht, komponiert für 40.Jahr Feier des "Josef Haydn Konservatorium in Burgenland" sowie zum 200. Geburtstag von "Franz Liszt" Programm Noten: Franz Liszt ist ein burgenländischer Komponist, der sehr weit gereist ist. Ich auch! Doch er war nie in Ägypten! Lisztomania ist "begeistert von Liszt", dass in meine Sprache bedeutet "verrückt Liszt". Ich habe mir gedacht, dass ich etwas verrücktes machen muss: Was ist wenn er "Franz Liszt" neben der Pyramiden lebt? Sich mit einer Mumie zum Tee trifft und eine Reise mit dem Kamel durch die Sahara macht?
2011	November	Friendly fire نيران صديقه	Ensemble	For 2 records, Piano and live electronics The winner work of Prima la musica competition 2011
2011		El-Tahrier Platz EL-Tahrir Square ميدان التحرير	Orchestral / Ensemble	For 16 instruments and A440 Hz oscillator Die ägyptische Revolution wurde durch elektronische Medien sowie Facebook, Blogger, Twitter usw.... gestartet. Die dabei entstandene Dynamik war einfach unglaublich. Mit dem „sine wave „wird der elektronische Abruf produziert und gibt den „ Ton A = 440Hz“ wie in jedem Orchester, Die Stimme gibt die Stimmung im Orchester an auch so wie die Demonstranten dem Aufruft am El-Tahreer Platz folgten. Nach dem sich die Demonstranten am El-Tahreer Platz gesammelt haben, versuchte jeder seine eignen Wünsche mit seiner Stimme der Öffentlichkeit mitzuteilen „aber nicht für das Land-Ägypten“ , wie das einzeln einspielen im Orchester. Als Mubarak versuchte mit Gewalt gegen die Demonestraten vor zu gehen, begann das Volk mit dem gemeinsamen Ziel für das Land Ägypten zu demonstrieren, danach hört man die verschiedenen Themen der Aufrufe von El-Tahreer Platz, dadurch entsteht eine Einheit „ Wieder A= 440Hz. UNISON“, Das Volk verlangt das MUBARAK geht aber er sagtet: „ Ich habe Demokratie betrieben, ich mache weiter damit“. Das Volk ist mit diesen Worten nicht einverstanden, sie wollen MUBARAK nicht mehr sehen denn 30 Jahre Unterdrückung und Korruption ist genug, das Volk hat nicht aufgegeben und MUBARAK „geht“ endlich. Diese besondere Demonstration veranlasste, nach der erfüllten Forderung, das Volk den El-Tahreer Platz zu reinigen und zu putzen das in der ganzen Welt große Bewunderung brachte, durch diese friedliche Demonstration konnten 30 Jahre Unterdrückung eines Volks beendet werden. Zum Schluss bleibt nur der elektronische Klang als Albtraum für die weitre Regierung. Er erinnert immer daran welche Kraft die elektronischen Medien entwickeln können. Nur ein elektronischer Klang kann eine besondere Demonstration auslösen wie am El-Tahreer Platz.
2010	December	Let us play هيا نلعب	Piano	For young pianists between 6:12 four hands piano (educational piece).
2010	August	Emergency’s طوارئ	Piano	for solo Piano with 4 microphones
2010	May	Mundartliches Beatboxen	Choir	Für 12 Mediatoren acapella Chor Text: Michael Hess
2010	April	Sorrows II	Ensemble	3 Miniatures for big ensemble and a female voice (Flute, 4 Clarinet in B, 4 F. Horns in F, 4 Violins and Female voice) · Sorrows · Zu dicht 2010 Text: Michael Hess · Mau’ual
2010		Above the frozen lake, there were a……! (Misty)	Violin	for solo Violin
2009	May	Malaguena	Ensemble	For contrabass quartet	Arrangement
2009	December	Devotion	Instrument + Piano	For Arabic Oud and piano
2009		Lunga Farah Faza	Orchestral	for Oud and Strings orchestra (Original composer: Reyad El-Sonbaty)	Arrangement
2009		For Haydn	Piano Trio	Piano Trio (Violin, Cello and Piano)
2008	June	Asphalt’s womb	Ensemble	Octet for Clarinet in B, Bassoon, F. Horn in F, Piano + E-piano ‘one player’, Violin, viola, cello and Contrabass. Program notes: The story behind three street’s old childs · Alone · Street’s conflict · My son Just died Pencil paintings and stories from: Amru Salahuddien and his exhibition witch title ‘ In the womb of Asphalt’ 2008. World premiere 29.08.2008 Austria Eu-Art-Network
2008	February	Rumba de Concert	Orchestral	for the Egyptian Philharmonic Chamber orchestra, conducted by: Ahmed El Saedi (Gamal Abdel-Rahim)	Arrangement
2008	July	Sour Angelica	Orchestral	(Giacomo Puccini) Commissioned arrangement for the Bibliotheca Alexandrina chamber orchestra	Arrangement
2008		The Phoenix and the turtle	Emsemble	Quartet for Clarinet B, Soprano, Violin and contrabass Text: William Shakespeare
2008	April	Abo Ali	Orchestral	New arrangement of Amr Ismael’s Film sound track ‘Abo Ali’ for Harp, Nay, Accordion, Percussion and strings Quintet	Arrangement
2008		Venetianisches Gondellein	Instrument + Piano	F. Brathildy Mendelsohn Reduction for Contrabass and Piano	Arrangement
2008		Karnak sound and light Scoring	Orchestral	Scoring the whole Partiture from audio cassette
2007		Le Grand Tango (Astor Piazzolla)	Orchestral	For Cello and Chamber orchestra (Flute, Clarinet in B, Clarinet in A, Bassoon, Percussion 3 players, Piano, Strings orchestra 4:4:3:2:1 and Solo Cello) Written for the Egyptian philharmonic chamber orchestra and conducted by: Ahmed El Saedi Solo Cello: Victoria Kabralova	Arrangement
2007	April	Mummy’s Purity	Orchestral	‘Sopra’ Symphonic Opera for mid-high voice and symphonic orchestra. Text: adapted version from the Anni Papyrus and the Book of the death
2007		El- Haramlek Clips	String Quartet ensemble	String Quartet and teller Program notes: · Clip 1: Behind Haramlek walls.. Women have no choice but to blind obedience. · Clip 2: Belly dancers and the wrestling temptation ... Who will win? · Clip 3: I thought his kiss is the meaning of life itself ... but the damn was like swallowing toxins from his lips. the lucky women outside this dirty grave, are hating me, They believe, that I had stolen their honor to be here. · Clip 4: I handed him me as a depositary lamb, to be able to slay me as he likes, but I discovered later, that I was extremely stupid, he returned to the original controlling nature and avoided what I felt, he acquired the rights of surrender myself to him, he has ignored me again and brought me to be under his darkness controlling, just to take what he wants, without giving me what I want. The Winner work of the Egyptian supreme council of culture composition competition 2007 (first Prize).
2007	January	Tone Color	Electronics	For Oboe and live electronics
2006	September	Ständchen (Franz Schubert)	Orchestral	For Oud, Piano and strings orchestra	Arrangement
2006		The lonely one on the other side of story	Orchestral	For strings orchestra 4:4:3:2:1 Commissioned work for the project of the Bibliotheca Alexandrina chamber orchestra CD ‘ Egyptian works for string orchestra’ 2006 and conducted by: Sherif Mohie El-Din
2006	May	White	Ensemble	For ensemble and tape 7 min. · Childbirth · The seventh Day Flute, Clarinet in B/Es ‘one player’, Bass-Clarinet in B, Timpani, Bass Drum, Triangle, Mortar, celesta, piano, string quartet and tape. Program notes: What is the whitest thing in the world? The brain of a baby of course. The Seventh Day: In the tradition of the Egyptian people, there is a very important celebration: the Seventh Day or Al-Sepouo. It is believed that it is the best day to know that a newborn baby is now in our world, which is celebrated by beating on mortar and laying it in an activated sieve. Normally, this celebration takes place between the afternoon and sunset. Seven types of crops are used (maize, rice, wheat, kidney bean, fenugreek, lentils and beans) as a bed for the baby. Then they are scattered over the heads of the guests. The celebration begins by the mother bringing the baby and circular dances with song. World premiere: Stuttgart 23. 07. 2006
2006		Hungarian dance Nº. 5, J. Brahms	Ensemble	Woodwinds trio reduction for Flute, Oboe and Bassoon	Arrangement
2006		My Romance	Instrument + Piano	for solo instrument (Violin or Flute or Contrabass) and piano
2006		Osteggiare Trompa	Instrument + Piano	For trumpet and piano
2006		The storm	Piano	For piano solo
2005		Badr	Orchestral	Symphonic poem about Battle of Badr (13 March 624 AC). Written for Cairo Symphonic orchestra and Arab perspectives festival 2007. Conducted by: Hassan Sharara
2005		Destiny	Orchestral + Piano version	Bassoon Concerto for Bassoon and Strings Orchestra with 10 Percussion Players. Written for the Bassoon Player Tamer Fahmi. The performance was in Cairo opera house, main hall, Cairo Symphonic orchestra and conducted by: Hisham Gabr in Arab perspectives festival 2006 The winner work of the Egyptian supreme council of culture composition competition 2005 (Jury Prize).
2005		Dancing on dead bodies	Piano Trio	Piano Trio Program Notes · 1st. Movement Adagio Current Events Slow scene, usually repeated at every moment and connected with any kind of a massacre in the Middle East or anywhere in the world. Always we see the same scene of ambulances collects scattered Corpses in various parts. this scene always telling us about a tragedy, telling us about the strength of the human suffering from the war scourge, it always reaffirms and confirm that the war mean's nothing but the life itself. · 2nd. Movement Allegro Agitato Flash Back As events rapidly with the disasters, second movement tells us the story of the strong warrior, the person who always gives the order, to let the war starts, although it was always a tongue's dance, but it's always like an ugly dance, the dance, which kills a thousand of innocents. The dance transited from tongue's movement, to be the dance of the death, which has effected to escape the soul from the live human ground objects
2005		Sorrow I	Solo Instrument	For Oboe Solo
2005		Farewell Friend	Piano	For Piano: Prelude and Piece
2004		Wheat Tonight	Orchestral	New musical vision of the Folksong from Mohamed Abdel-Wahab ‘El-Qamh Ellilah’ for Harp, Nay (Egypian Bamboo Flute), Percussion and String Quintet
2004		3 songs for Children Choir	Choir	For mixed Choir and piano · The small bird ‘Al-taero al-Saghyro’ · Would you know ‘Hal ta’lamoun’ · My mother ‘Ummi’ The Winner work of the Egyptian Youth Musicians Association, Gamal Abdel-Rahim composition competition for Choir 2004
2004	October	The Mummy	Orchestral	Woodwinds Quintet for Flute, Oboe, Clarinet in B, F. Horn in F and Bassoon
2004		Brainstorming	Instrument + Piano	Flute and Piano
2004		Nightmare	String quartet ensemble	String quartet no. 1
2004		The Drunk One	Solo instrument	Mime ad libitum and flute
2004		Zoroni (Visit me)	· Choir + Piano · piano solo	For mixed choir SATBB · Text and melody: Sayed Darwish For Piano solo · Melody: Sayed Darwish	re-composition
2004		Elegy	Piano Trio	Piano trio for Clarinet in B, Bassoon and piano or Violin, Cello and Piano (2 versions). In the memory of the Egyptian composition Pioneer and the founder of the composition department in Cairo conservatoire ‘ Gamal Abdel-Rahim’
2003		Birth Certificate	Singers ensemble + Piano	Quartet for soprano, alto and bass Text: Mukhtar Abu Ghali
2003		The Bedouin and the Fortuneteller	Piano	For Piano
2002		Egyptian Suite	Instrument + Piano	For Cello and Piano on 5 Egyptian folk themes · Salma Ya Salama · Ya NAkhlitin fil Alaly · Atshan Ya Sabaya · Ayyob · Kont fen ya Alli The Winner work of the Egyptian supreme council of culture composition competition 2003 (first Prize between 3 candidates)